the thoughts of one Robert Stribley, who plans to contribute his dispatches with characteristic infrequency
Monday, July 16, 2007
Grinderman
GRINDERMAN
Grinderman (CD) – Anti
As Nick Cave nears 50, he engages his new band Grinderman to bequeath us with some of his most bracing and profane work yet. Cave grouses, growls and grumbles his way through this lacerating little effort. About what? Well, ostensibly women, but you’ll eventually conclude it’s the velocity of life he has a beef with. Throughout, on tracks like the fuzzy "Electric Alice," the grinding "Depth Charge Ethel," and the bluesy "Go Tell the Women," the fairer sex dominates the proceedings, and a visceral sexuality seeps into everything from the light-hearted buzz of "Honey Bee (Let’s Fly to Mars)" to the more acidic, but comical "No Pussy Blues." Cave isn’t really berating women; he’s mocking himself, his own predilections, archly tracking his own mid-life crises. Compare Grinderman’s cover with its content: Is it a coincidence that the grinder monkey on the cover appears to be cowering, its tiny fists protecting its genitals? The tongue-in-cheek emasculation on "No Pussy Blues" epitomizes the theme here, as Cave complains about the contortions he engages in to secure some booty – even petting his lover’s "revolting little Chihuahua" – all to no avail. "My face is finished, my body’s gone," he laments. Life is flitting by and any desired words of wisdom can be reduced to the mantra repeated on the disk’s opening track: "Get It On." - Robert Stribley
www.grinderman.com
This review was originally published in Skyscraper Magazine, Issue 25 (Summer 2007)
Labels:
Grinderman,
music review,
Nick Cave
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