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the thoughts of one Robert Stribley, who plans to contribute his dispatches with characteristic infrequency
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ROBERT STRIBLEY
New York, NY
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:: Saturday, July 18, 2009 ::

RIP Walter Cronkite

Walter Cronkite
I can't imagine a person becoming a success who doesn't give this game of life everything he's got.
- Walter Cronkite, 1916-2009
Walter Cronkite has died at 92.

:: Robert S. 10:25:00 AM [+ Permalink] ::
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:: Monday, July 13, 2009 ::
Obey


Many stickers have been peeled down by people who were annoyed by them, considering them an eye sore and an act of petty vandalism, which is ironic considering the number of commercial graphic images everyone in American society is assaulted with daily.
- Shepard Fairey in his Obey Manifesto
Visited the Shepard Fairey exhibit at the ICA in Boston this weekend. It's the first museum exhibit for Fairey and features examples from his earliest work up to his iconic Obama posters, as well as a handful of brief documentaries and clips. In the brief documentary, "Andre the Giant Has a Posse," Fairey explains how his original Andre stickers (which he refers to above) were meant to poke fun of gangs and skater culture, but evolved into much more.

The exhibit lasts until August 16th and is definitely worth checking out if you're a Fairey fan.

I know plenty of folks are critical of Fairey's work, but I don't find much of the most-repeated criticism terribly compelling. It's simplistic, some say. The music of the Beach Boys sounds simple, too. Try recreating it. It's derivative or he steals from other people are the most frequent arguments. What isn't derivative? And Fairey's been completely open about his sources since his earliest work. See Warhol and Rauchenberg, two of the luminaries he's compared with in this exhibit.

Fairey's work is often succinct and iconic. Those are valuable traits that might look easy, but prove quite difficult to pull off with any regularity.

More:
  • "Street Cred," ARTINFO - explains the origins of the pointed "Obey" meme and offers thoughtful criticism of the commercialization of his work
  • Video: Shepard Fairey on Fighting the AP Over Obama HOPE Image

:: Robert S. 7:44:00 PM [+ Permalink] ::
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:: Monday, July 06, 2009 ::
RIP Robert S. McNamara

Robert s. McNamara
“We burned to death 100,000 Japanese civilians in Tokyo — men, women and children. LeMay said, ‘If we’d lost the war, we’d all have been prosecuted as war criminals.’ And I think he’s right. He — and I’d say I — were behaving as war criminals. What makes it immoral if you lose and not immoral if you win?” - Robert S. McNamara
Robert McNamara seemed a tortured soul towards the end of his life. Errol Morris's compelling 2003 documentary, The Fog of War, found him apologetic, even haunted. Can we imagine Donald Rumsfeld, who served in the same position, Secretary of Defense, as McNamara, similarly apologetic some time into the future? Or Bush? Or Cheney? It's hard to imagine. But I suppose it's possible.

More: McNamara writing in Foreign policy in May/June 2005 on the dangers of nuclear proliferation

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:: Robert S. 9:03:00 PM [+ Permalink] ::
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:: Sunday, July 05, 2009 ::
Subway Poem 7

Young European girl, twenty-something
slouching beside her hooded friend
She sucks her thumb
And I smile
Hoping she sees it
not as a smile of derision
But of understanding
I know, it's a big city
Filled with buzz, jitter, and judder
Like so much else of the world

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:: Robert S. 8:31:00 PM [+ Permalink] ::
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:: Friday, June 12, 2009 ::
Subway Poem 6

On the subway, across from me
I see a girl with the same scar
as I.

A compound fracture to the radius on her left arm
leaves its tracks down the otherwise smooth skin
of her arm.

We have something in common.
And nothing in common.

6/7

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:: Robert S. 1:11:00 AM [+ Permalink] ::
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:: Thursday, April 23, 2009 ::
Some Thoughts on Torture

Waterboarding, circa 1556

There are some subjects my idealistic self hopes people won't continue to politicize. Abortion is one and torture is most certainly another.

I'm less interested in what one person in any administration has to say about torture than what experts say, who refer to rational, carefully considered evidence. Empirical data.

Let's not fall then for the fallacy of anecdotal evidence. The possibility that torture "worked" on one person (and let's remember that 24 is fiction - and fiction created by a man who was an open fan of the Bush administration) wouldn't justify its use on prisoners willy nilly anyway - especially when those prisoners were often gathered on a so called "field of battle" without any evidence that they were actually participating in acts of terrorism. Sadly, some of the people have even been proven completely innocent later, though they have received permanent physical and psychological damage from their mistreatment.

Conservative pundit Andrew Sullivan has been carefully cataloguing the ethical and efficacy problems with torture for many months now. I recommend searching for "torture" on his blog and delving into the reams of thoughtful evidence he's compiled.

Let's also recognize that the mere fact that something might (upon rare occasions, possibly) prove effective, does not automatically justify its use. The ends does not justify the means. Otherwise, we might quickly return to all manner of barbarism.

It's surprising to be put in the position in the 21st century of arguing against the use of torture. What has 9/11 done to us?

Washington Post - "The Torture Myth"
Army Col. Stuart Herrington, a military intelligence specialist who conducted interrogations in Vietnam, Panama and Iraq: Aside from its immorality and its illegality, says Herrington, torture is simply "not a good way to get information."

PBS - "Debating Torture"
Sen. John McCain: "First, subjecting prisoners to abuse leads to bad intelligence because under torture a detainee will tell his interrogator anything to make the pain stop."

"Science and Engineering Ethics," 2004 - Springer
A utilitarian argument against torture interrogation of terrorists

Salon - "Mixed Messages on Torture"
The U.S. Army declares torture useless
Lt. Gen. John Kimmons, the Army deputy chief of staff on "tough" interrogation techniques: "No good intelligence is going to come from abusive practices," Kimmons said. "I think history tells us that. I think the empirical evidence of the past five years, hard years, tells us that. ... Any piece of intelligence which is obtained under duress through the use of abusive techniques would be of questionable credibility." Kimmons conceded that bad P.R. about abuse could work against the United States in the war on terror. "It would do more harm than good when it inevitably became known that abusive practices were used. We can't afford to go there."

MSNBC - "Military agency warned against 'torture'"

Red Cross Report - "ICRC Report on the Treatment of 14 'High Value Detainees' in CIA Custody" [PDF]

U.S. Department of Justice - "Torture Memos" [PDF]

Finally, Amnesty International enables you to write your senators and state representatives asking them to investigate and prosecute those who responsible for encouraging a climate of torture on behalf of the United States.

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:: Robert S. 9:29:00 PM [+ Permalink] ::
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:: Wednesday, April 22, 2009 ::
Crowdsourcing Content

mob

I have a new post about crowdsourcing content over at Razorfish's Scatter/Gather blog. One of life's little mysteries is why folks would want to contribute content of one sort or another for free in the first place. I briefly describe some incentives and also discuss framing your inquiries and networking for providers.

Speaking of crowdsourcing, Iain McDonald, the founder of Amnesia | Razorfish, laid down the gauntlet today at the Razorfish Client Summit, asking attendees to see how many results they could create for a freshly minted word, specifically "razorfunfish" on Google within a single day. A prize would also be given to the person who created the entry, which rose to the top of the heap.

Well, moments later, I noted that results were already appearing. It'll be interesting to see who comes up with the most effective means of "owning" the term. I'm seeing some pretty creative efforts already. Someone even bought the URL. Also, coincidental to the subject of my article above, someone created an entry on Wikipedia. We'll see how long it lasts.

Also: Google results for razorfunfish

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:: Robert S. 8:30:00 PM [+ Permalink] ::
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:: Saturday, April 18, 2009 ::
Kieren Hebden & Steve Reid - NYC

Kieren Hebden & Steve Reid - NYC

KIERAN HEBDEN & STEVE REID
NYC (CD) – Domino

Kieran Hebden loses the Four Tet moniker again for this instrumental album with jazz drummer extraordinaire Steve Reid, their fourth expedition together. As its title intimates, it's an homage to New York with most of the songs paying particular attention to specific NYC locales. Those tunes comprise a flyby visit to the city with two tunes, the slow descent of "Arrival" and the ambient exit of "Departure," bracketing the trip. NYC attempts to capture the city's fizz and sizzle with limited instrumentation, relying very heavily on Reid's drumming and Hebden's ever-inspired knob fiddling. And since it was crafted within two days in a New York studio, the collaboration also bears a loose, improvisational sound. With its rumbling bass and skittering drums, "Lyman Place" begins like a number from a gritty David Holmes soundtrack, while eventually transmogrifying into something akin to a jet taking off. Then the clamor of “1st & 1st” approximates the hurly burly of that East Village intersection, which Seinfeld’s Kramer described as “the nexus of the universe.” Later, "Between B & C" commences with a sample of melodic guitar, bearing a hint of Alphabet City’s Latin influence, and also proves the disk’s most accessible track. NYC rounds out with “Departure,” a comparatively minimalist track, featuring accelerating Reich-like tintinnabulation. Like all of these tracks, it’ll provide challenging, yet rewarding grist for your ear. – Robert Stribley

kieranhebdenandstevereid.com

This review was originally published in Skyscraper Magazine, Issue 30 (Spring 2009)

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:: Robert S. 8:33:00 PM [+ Permalink] ::
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The Matthew Herbert Big Band - There's Me & There's You

The latest and unfortunately last issue of Skyscraper has hit the stands. A sign of the times, the mag will cease to occupy physical space and will be going entirely online in the coming months. Two of my reviews from the issue follow.

THE MATTHEW HERBERT BIG BAND
There’s Me and There’s You (CD) – !K7

Those familiar with Matthew Herbert won’t be surprised that his new effort, There’s Me and There’s You, proves a sometimes challenging, always swinging compendium of glitchy show tunes. This second release from his incarnation as The Matthew Herbert Big Band is also a highly political album. We’re told its “dominant theme is power and its abuses in the 21st century,” and its cover even features a petition for music to be “a political force of note and not just the soundtrack to over-consumption.” It’s complex and cheerily excoriating in a way that only Herbert could arrange. “The Story,” for example, begins with a rude shock of sound, a snap like lightning, then settles into heavy beats and then finger snaps before London’s Eska Mtungwazi kicks in with her powerful vocals. It’s a delight divining the mélange of sounds Herbert serves up. He swipes the sounds of matches being lit, nails being driven into a coffin, and, er, 70 condoms getting dragged across the floor of the British Museum, among others. Most provocatively, he knit “Nonsounds” together with recordings from Palestine, including cicadas, roosters, and the sound of protesters being shot against the wall separating Palestine from Israel. The see-sawing here between expertly-crafted big band sound and more abrasive electronica may prove too challenging for some, but for those accustomed to Herbert’s manic method of musical chemistry, he doesn’t fail to satisfy and provoke. – Robert Stribley

matthewherbertbigband.com

This review was originally published in Skyscraper Magazine, Issue 30 (Spring 2009)

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:: Robert S. 8:28:00 PM [+ Permalink] ::
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:: Monday, March 30, 2009 ::
AutoPromotion

auto promotion

I have a new article, "Auto promotion: Using Twitter in the automotive industry," on Razorfish's Headlight blog about how the automotive industry is using (or failing to use) Twitter.

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:: Robert S. 11:49:00 PM [+ Permalink] ::
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:: Wednesday, March 18, 2009 ::
Kudos to Razorfish

WWD Screencap

Kudos to Razorfish for winning a MIN Best of the Web Award for Design for our work on WWD.com. I'm happy to say I worked on the project as a content strategist.

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:: Robert S. 6:49:00 PM [+ Permalink] ::
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  • Daddy Buys a Buick - my prize-winning short story was reprinted on Open Sewer
  • The Cult of Jared - essay on the popularity of Jared Fogle, "the Subway guy" and how Subway actually avoids endorsing his diet
 
Barack Obama for President

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