"You know what I think?" she says. "That people’s memories are maybe the fuel they burn to stay alive. Whether those memories have any actual importance or not, it doesn’t matter as far as the maintenance of life is concerned. They’re all just fuel. Advertising fillers in the newspaper, philosophy books, dirty pictures in a magazine, a bundle of then-thousand-yet bills: when you feed ‘em to the fire, they’re all just paper. The fire isn’t thinking, ‘Oh, this is Kant,’ or ‘Oh, this is the Yomiuri evening edition,’ or ‘Nice tits,’ while it burns. To the fire, they’re nothing but scraps of paper. It’s the exact same thing. Important memories, not-so-important memories, totally useless memories: there’s no distinction-they’re all just fuel." ...
"You know, I think if I didn't have that fuel, if I didn't have those memory drawers inside me, I would've snapped a long time ago. I would've curled up in a ditch somewhere and died. It's because I can pull the memories out of the drawers when I have to- the important ones and the useless ones- that I can go on living this nightmare of a life. I might think I can't take it anymore, that I can't go on anymore, but one way or another I get past that."
- from After Dark by Haruki Murakami
the thoughts of one Robert Stribley, who plans to contribute his dispatches with characteristic infrequency
Showing posts with label Haruki Murakami. Show all posts
Showing posts with label Haruki Murakami. Show all posts
Sunday, September 07, 2008
Murakami on Memory
Wednesday, July 11, 2007
Pick the Notes You Really Mean
One of my favorite writers and all round cool guy Haruki Murakami writes in the NYT about how he would never have become a writer if it weren't for his love of jazz:
One of my all-time favorite jazz pianists is Thelonious Monk. Once, when someone asked him how he managed to get a certain special sound out of the piano, Monk pointed to the keyboard and said: “It can’t be any new note. When you look at the keyboard, all the notes are there already. But if you mean a note enough, it will sound different. You got to pick the notes you really mean!”
I often recall these words when I am writing, and I think to myself, “It’s true. There aren’t any new words. Our job is to give new meanings and special overtones to absolutely ordinary words.” I find the thought reassuring. It means that vast, unknown stretches still lie before us, fertile territories just waiting for us to cultivate them.
Subscribe to:
Posts (Atom)