Showing posts with label Nina Berman. Show all posts
Showing posts with label Nina Berman. Show all posts

Sunday, October 26, 2008

Nina Berman - Homeland

Border Watcher by Nina Berman

Border Watcher with Dogs, Arizona and Mexico border, 2008 - Nina Berman

If you're dawdling around Spring Street in NoLIta any time soon, drop into the Jen Bekman Gallery at 6 Spring and check out exhibit by documentary photographer, Nina Berman. It showcases 14 photos from her newly published monograph, Homeland. In her artist's statement, Berman describes the theme of her exhibit:
I came to this series after having spent the last few years photographing very graphic examples of the human cost of war. Many of the subjects I photographed said they grew up thinking war would be “fun.” Many watched the first Gulf War on TV and thought it was "awesome." Several said that becoming a soldier meant they would finally do something good in life.

Rather than continuing to show evidence of war, it seems appropriate for me to show the fantasies of war, the selling of war, the institutions of war, the culture of war and with it the militarization of American life.
Berman's photographs are matter-of-fact, even sterile sometimes, which only adds to their impact. The resulting conflation of the military industrial complex with ordinary American life - often including small children - is all the more haunting. I recently wrote about Berman's moving set of photos depicting Iraq veteran Ty Ziegel and his girlfriend. None of those pictures are on display, but may appear in the book.

More images from the exhibit
Nina Berman's Web site

Sunday, September 28, 2008

Regarding the Pain of Others

Over a passage of time, this series of photos by Nina Berman depicts Iraq veteran Ty Ziegel and his girlfriend. Berman captures the couple before Ziegel went to war, Ziegel as a handsome soldier serving overseas, Ziegel disfigured by a horrible accident on the battlefield, Ziegel and Kline on their wedding day, and Ziegel alone, after the couple separated and eventually divorced three months after their marriage. It's not my intention to sensationalize those events in a young man's life, only to point out the power of photography to place his story before us. We know war is hell, but we're seldom confronted with its consequences. I don't think I'm politicizing Ziegel's story if I say, we this series of images serves as a pointed reminder that we should be damn sure we're initiating a war for good reasons before sending our young men and women over there, the length of their lives stretched out before them. I have to note that I feel somewhat trite even writing the preceding, since the point seems obvious. If only we'd adhered to the principle.

The photography blog BagNewsNotes posted an image from this series in early 2007. Reading the comments on that post, it's both poignant and shocking to see how they encapsulate hope and well wishes upon Ziegel's marriage. Yet the full photo series tell a different story. Kudo to Ziegel for allowing the entire story to be told.

Regarding the Pain of Others is, of course, the title of Susan Sontag's book on the impact of photography's depictions of violence and atrocities.